Disrupting Type Canons: Representing Fat Bodies

Overlay of colorful, illustrated fat letterforms on top of an image reading "Anatomy of a Typeface" that is meant to demonstrate how the fat letterforms could reimagine how we teach typographic anatomy.

Above: Brooke Hull. “Overlay of Fat Letterform Illustrations on Type Anatomy Guide.” 2023. Type Anatomy guide image via Material Design. “Understanding typography.” nd. https://m2.material.io/design/typography/understanding-typography.html#type-properties 

How can we disrupt design canons & fight fatphobia intersectionally through embodied typography? 

This research began as I discovered and accepted my own fat, nonbinary body for the first time at the age of 23-24. I was in graduate school having to not only expand my knowledge about the systems within the world around me but having to understand how those systems impacted my own body. As a person who has been fat my whole life, I never accepted this reality until I learned about the system of oppression known as fatphobia. 

Fatphobia, as defined by Dina Amlund, is “the name of the structure and the social hierarchy that place people of size, or fat people, beneath slender people” (2017).

Fat people face proven discrimination at work, in relationships, in healthcare, and in the media (Cooper Stoll 2019). Fatphobia, like all other systems of oppression, is intersectional (Crenshaw 1989), further harming folks who embody multiple systems of oppression, like race, gender, sexuality, and disability. While learning about these intersecting systems of oppression, I wanted to use design to relate these systems to my own body and bodies like mine. This is where the idea of fat typography began. 

Continue reading

Font releases and reviews from 2024

Reflecting on the past year, we can say the number of new typeface releases was remarkable. The type market has become more diverse and competitive than ever, with new fonts hitting the scene every day. Both amateur and professional designs are eager to be in the spotlight so they can really be seen. In this hectic landscape, we find it valuable to offer insights that help identify excellence and merit within the crowd. This includes evaluating proficiency in crafting letters, the overall quality of the font, and the contributions that a new typeface brings to the table.

Continue reading

Font Reviews 2024: Playwrite

Designed by Veronika Burian, José Scaglione
Available at Google Fonts
Font family: 4 weights for every handwriting model. 68 handwriting models from 40 countries.

This font review was originally written in Spanish. In Colombia alone, there are more than 43 million native Spanish speakers. English translation below.

Las fuentes tipográficas suelen pasar desapercibidas, pero su impacto es profundo. Como demuestra Playwrite, pueden trascender su función estética para convertirse en puentes educativos. Detrás de cada trazo de lápiz hay un mundo de conexiones neuronales, memoria y creatividad. Aunque vivimos en una era digital, aprender a escribir a mano sigue siendo un pilar formativo esencial. El desafío surge cuando cada región del mundo enseña este arte con estilos y métodos distintos. La solución llegó de la mano de Playwrite. Diseñada por Typetogether y disponible en Google Fonts, Playwrite es más que un conjunto de letras. Es una herramienta pedagógica que se moldea a las particularidades de más de 40 países, desde la cursiva vertical de Francia hasta la escritura simplificada de Finlandia.

Continue reading

Font Reviews 2024: Atlas Mono

Designed and distributed by Giulia Boggio

This font review was written in English and translated into Dutch, a language spoken by about 30 million people worldwide.

Giulia B. is a multimedia designer based in London (UK), focusing mainly on type, graphic, and web design.

Monospaced fonts are a personal favourite and I had to shine a light on this editorial fixed-width for our Alphabettes Font Reviews 2024 segment. Sometimes, it seems that typefaces these days are by default superfamilies, covering every possible weight, width, style, optical size, and taking on any possible typographic application they face. Well—let’s flip that coin for a second and focus on this striking single-style design.

Atlas Mono, monospaced, Giulia Boggio, font review
Continue reading

24 Hour Hangout for International Women’s Day 2025

What time is it? It’s time for our annual tradition: the Alphabettes 24-Hour Hangout to celebrate International Women’s Day! ⏰ From March 8, 2025 at 12:00am ET / 05:00 UTC to 11:59pm ET / 04:59 UTC 3/9, stop by for conversations on type, design, lettering, the universe, etc. Some times may be more spontaneous and chatty, other hours might be filled with activities and presentations.

>>>Join the Live Hangout!<<<

Note: We’ll be using Jitsi.

Continue reading

Font Reviews 2024: Lock

Designed by Mark Bloom and Diana Ovezea
Distributed by CoType
Typeface family: 4 sub-families, 6 weights. 24 fonts

This text was originally written in Romanian, the official language of Romania and Moldova, spoken by 25 million people. The English version of the review is below.

Lock, creat de Mark Bloom & Diana Ovezea, este prima superfamilie tipografică în catalogul CoType Foundry, îmbinând stilurile serif și sans-serif, alături de varianta stencil.Conceput ca un sistem unitar, și nu ca stiluri separate, Lock echilibrează contrastul și coeziunea, fiind o alegere versatilă pentru designerii care caută flexibilitate și impact vizual.

Continue reading

Designing a Georgian Header

There are approximately four million Georgian speakers worldwide, so I am quite happy to represent my community by designing the first Georgian Alphabettes header.

Despite the relatively small size of the Georgian-speaking population, the script has a rich calligraphic history with significant developments over the centuries. The evolution of the Georgian alphabet has produced three scripts: Asomtavruli (5th century), Nuskhuri (9th century), and Mkhedruli (10th century). Over time, letterforms have transformed and shifted between scripts, allowing all three to be preserved and used in some capacity today. However, Mkhedruli is the primary script in modern use, which is why I chose to design the header with it.

Continue reading

Font Reviews 2024: Henmania

Designed by Bea Korsh
Distributed by Future Fonts

This font review was written in English and translated into Portuguese (BR—below). The Museu da Língua Portuguesa, in São Paulo, is the venue of diverse exhibitions with hands-on activities about Linguistics and Portuguese language developments.

Fellow Type@Cooper alumni Bea Korsh probably graced us with the freshest type release of 2024. Where to start? That I’ve never seen anything like it. Or the fact version 0.1 already has 70 interlocking ligatures. Or maybe the foresaw standalone Inline style—that’s simply dazzling. Let’s take it from the top, Henmania is a stencil typeface with meshed warped strokes and a slightly forward-leaning feel planned to grow to a 5-weight family—a playground of pure creativity!

Continue reading